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I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-1980
African-American Experimental Composers French Jazz Press
2008/10/29
Beginning in the 1970s, the French jazz press became the first community of critics seriously to consider the new African-American experimental music being put forth by musicians such as Ornette Colem...
A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers
chromaticism statistics Bach Haydn Mozart Beethoven Brahms
2010/9/26
Music historians have observed informally that Western music became
increasingly chromatic between roughly 1600 and 1900. This view is tested formally,
and the results are shown to be consistent wit...
Cognitive Dissonance: Should Twentieth-century Women Composers be Grouped with Foucault's Mad Criminals?
twentieth-century Lester Straus Kostka Morgan women Foucault Margolis
2010/4/21
This article considers recent books on twentieth-century music by Lester (1989), Kostka (1990), Straus (1990), and Morgan (1991) and their exclusion of women composers' scores. Three hypotheses for th...
Composers, performers, and notation: solo music notations in Europe, 1500-1700
composition performance notation semiology sociology
2010/4/22
Work in progress: a synopsis of an
interdisciplinary study examining the movement in western
art music from primarily aural to primarily written media.
The study, now in its formative stages, em...