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On Perceptual Information and Fitting Models to Data:A Reply to Massaro and Cohen (1993)
Perceptual Information Fitting Models Data Massaro Cohen
2015/8/13
Cutting, Bruno, Brady, and Moore (1992) investigated the properties of Massaro's (1987) fuzzy-logical model of perception (FLMP) and other models. Among their results, they found that FLMP and an addi...
Reconceiving perceptual space. H. Hecht.
FRUITION：perceptual time gap as location for knowledge - Mnemonic Present Un-folding
art practice perceptual time gap
2009/7/15
In developing my practice/research I analyse the interchange that takes place between audience and performer from within the paradigm. My own art practice is grounded in Merleau-Pontì's concept of chi...
The Tertiary Singing Audition:Perceptual and Acoustic Differences between Successful and Unsuccessful Candidates
Singing audition assessment ranking terminology vocal quality vocal performance
2008/10/30
Background in music practice. The audition process is used extensively in the arts to identify
talent and to determine entry into music conservatoria. Judges must make rapid decisions
regarding the ...
Commentary on David Huron’s “On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts”
Bach chorales embellishment tones perceptual segregation
2010/9/26
In his article ‘On the Role of Embellishment Tones in the Perceptual
Segregation of Concurrent Musical Parts’, David Huron (2007) takes four metrics
known in the psychological literature to affect p...
On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts
voice-leading auditory streams figuration tones non-chordal tones
2010/9/26
An analysis of 50 chorale harmonizations by J.S. Bach shows that the
use of embellishment tones is consistent with several principles known to contribute to
the perceptual segregation of auditory st...