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The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
This article investigates the early history of Flemish television, based on oral history interviews with older viewers. After a discussion of the method used and other literature in the field, I focus...
Making a “film” today rarely involves a journey to the lab as images are more often recorded digitally and not on celluloid. Even video’s electromagnetic record is transformed to bits and bytes. There...
As vast fortunes were being accumulated in the wake of the Civil War, social and cultural roles were being forged to match that wealth. Art played an important part in creating the appropriate image o...
The nineteenth century saw the beginnings of a fascination for ‘naïve’ folk art as a supposed encapsulation of ‘national spirit’, a fascination which juxtaposed and frequently intersected with a ...
Following an overview of the literature on the musical predispositions of the newborn and on the development of attachment, this article elaborates a theoretical rationale on which is proposed a model...
The electronic transcript of Sumathy Sundar's interview with Michael McGuire arrived while I was working in Greece and coincidentally several themes from the interview resonate with my experience work...
Tierney, Bergeson, and Pisoni (2008) conclude that their results “provide additional converging evidence that early musical experience and activity-dependent learning may selectively affect verbal re...
The present study investigated a possible link between musical training and immediate memory span by testing experienced musicians and three groups of musically inexperienced subjects (gymnasts, Psy...
Scriabin’s post-tonal period, which begins around 1909 with Feuillet d’album, Op. 58, is defined by the subtle and sophisticated exploitation of some special non-diatonic sets and their pitch universe...
The Centre for Early Music Performance and Research at Birmingham was founded in 1998 by Dr Mary O’Neill and Professor John Whenham. Their aim was to create a centre with international links which, un...
I present synthesized sound examples of several atonal expressionist excerpts to illustrate the effect of the altered octave as a sonority. Psychology, linguistics, and literature about 1900 suggest t...

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