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法国后现代主义思想家德勒慈（Gilles Deleuze）（图）。
Darren Ambrose and Wahida Khandker (eds.)(2005)Diagrams of Sensation:Deleuze and Aesthetics Pli,The Warwick Journal of Philosophy
Diagrams of Sensation Deleuze Aesthetics Pli Warwick Journal of Philosophy
2009/11/24
In a Film-Philosophy review from over a decade ago, Jeffrey A. Bell remarked that the
impact of Deleuze’s remarkable Cinema I and Cinema II books was still, lamentably, ‘slight
to non-existent’ (199...
The Deleuze-ian/Guattarian Performance;：performancing at n-1 dimensions
music performance organs Cartesian idea
2009/7/15
This paper considers music performance in light of the possibly most radical move away from the Cartesian idea of the body as informed by the higher order rationality of the mind: this is a performanc...
Deleuze and Horror Film
Deleuze Horror Film
2008/12/8
It is often difficult to review a book that has as its goal to supply a new "approach" in a field already bursting at the seams with methodologies, ways of reading, modes of analysis, interpretative s...
From Aesthetics to Politics: Ranci?re, Kant and Deleuze
aesthetics politics sense Ranci?re Kant Deleuze
2008/11/7
What does politics have to do with aesthetics? Surely, both politics and aesthetics are concerned with imagining, envisioning, and even creating, yet aren't the kinds of things these fields of inquiry...
Gilles Deleuze je le voyais comme un gauchiste et un philosophe. C'est à dire une personne finalement conservatrice, empêtrée dans des schémas de pensée préhistoriques de type stalinien, trotskyste et...
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部分与整体、个体与普遍之间存在着怎样的关系？对于这样一些根本问题，人们一向都是在自然的类比中寻找答案的。树的图像可以展示出主导人们认知的模式：井然有序的等级秩序，树枝的多样性从树干的统一性中生长出来，而根部的盘根交错也归于主干。树的譬喻可以归结到统一性、等级体系、线性秩序以及系统的胜利。从赫西俄德（Hesiod）撰写的神谱、生物学的物种起源学说、到现代语言学的句型树状图分析——树的譬喻到...