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This paper develops a way of evaluating designed artifacts as research. It focuses deliberately on design, on the generation of new knowledge that can happen when making things for use. It works with ...
This paper presents some of the results from the research project “The Sketches and the Design Process in Architecture” that was developed by the authors in 2004. The architectural sketch is seen as a...
The so-called "pictorial turn" of recent years has emphasized the role of the visual in our construction of the world. While we live surrounded by images, we continuously need language for understandi...
Charles Spinosa, Fernando Flores and Hubert Dreyfus use the term disclosive space to refer to the socially inscribed contexts in which cultural innovation take place. They define a disclosive space as...
Today, artists are becoming increasingly important players in the field of design. Similarly, designers have begun directing their work towards the art world. Certain works of art have come to look li...
Design-artefacts are not interpreted in isolation but in various contexts and as part of various modes of activities. This paper aims to provide a broad methodological framework emphasizing careful co...
This paper discusses the role of form in our perception of the designed object. This is done by taking some assumptions about the designed object that are current in material culture and considering t...
Although design practice results in autonomous artefacts, during the process of design there are many occasions in which the artefact does not stand alone, but rather is interpreted, assessed, and deb...
Artists and designers do not constitute a coherent group of professionals but they share a strategy of work where the artefacts are at the heart of the process. They are trained in a culture whose cen...
The classical format for a practice-based dissertation in the arts requires a work of art, or a set of works, to be accompanied by a critical text, contextualising and reflecting on the exhibited work...
In this paper, we examine the concept of construction insofar as it applies to, and can be taken to determine, the production of the artefact in the art and design research process. These modes of con...
There is a very real need to argue for an expanded understanding of research methods and understandings of knowledge as they relate to areas of practice. This is particularly so for Design as it curre...
Many of the motives constraining design practice do not, on the face of it, have intentional causes. Practices of design can be fashioned, for instance, by an economically indifferent government, by c...
I do not intend to summarise the main points from the speakers' papers. I do want to establish the nature of the question, why it arises, and some reference points that might aid navigation through th...
Before setting out a sketch of what poetic research may be this paper describes briefly two polar philosophical attitudes to research- one that grounds in methodological rigour and the other that is i...

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