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Forty-four participants were asked to sing moderate, high, and low pitches while their faces were photographed. In a two-alternative forced choice task, independent judges selected the high-pitch fa...
In the Middle East, Abjad notation has been available since the day of Al-Kindi (9th century). However, Abjad was never used except as a theoretical tool. A handful of extant musical examples show...
This article deals with timbreinduced pitch deviations and their magnitude in environments designed to resemble those that performing musicians encounter in their daily practice. Two experiments w...
Background in music performance and pedagogy. During the voice-change process, singing for adolescent boys may become more difficult and unpredictable. Many boys cease singing when they reach pubert...
Scriabin’s post-tonal period, which begins around 1909 with Feuillet d’album, Op. 58, is defined by the subtle and sophisticated exploitation of some special non-diatonic sets and their pitch universe...
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower in pitch than major-key themes. The lower pitch is not merely an artifact of structural differences...
Electrophysiological measures of expectancy violation processing by the brain, such as the P300 component of the event-related potential, have provided insight into the way in which humans with vary...
The current study extends the efforts of Bischoff Renninger, Granot and Donchin (2003) to non-Western musical systems and focuses specifically on Event- Related Potential (ERP) responses to scalar d...
Increasingly, the Arts and Humanities and Science fields are finding common ground, as illustrated in Huron et al.’s fine paper. My commentary discusses the origin of the idea that pitch and motivat...
Bolinger, Ohala, Morton and others have established that vocal pitch height is perceived to be associated with social signals of dominance and submissiveness: higher vocal pitch is associated with s...
Music and speech both feature structured melodic patterns, yet these patterns are rarely compared using empirical methods. One reason for this has been a lack of tools which allow quantitative compa...
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary....
Pitch Frames as Melodic Archetypes     perception  melody  melodic  harmony  tonality  form  structure       2010/9/26
In our history we have recognized scales of some variety as keystones to music’s pitch structure. And yet, empirical studies of perception and archeological appraisals of human evolution confirm an ...
A numerical visualization technique called multidimensional scaling (MDS) was applied to the matrices of (dis)similarity ratings from six pitch-class set (pcset) similarity functions to see what types...
When spaces with greater than 20 pitch classes are considered, the problem of generating equivalence classes (set classes) with respect to operations like transposition and inversion becomes incre...

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