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Mode and tempo in Western classical music of the common-practice era: My grandmother was largely right – but no one knows why
expressiveness of music minor mode major mode tempo allegro
2010/9/26
The work of Post and Huron (2009) is an example of how the
received wisdom in musicology can be fruitfully challenged by simple empirical
procedures – in this case demonstrating a counterintuitive, ...
Western classical music in the minor mode is slower (except in the Romantic period)
music minor key minor mode sadness tempo speech prosody
2010/9/26
Two studies are reported that examine the relationship between
musical mode and tempo in Western classical music. In the first study, modes were
determined for 331 works bearing the tempo markings l...
《民族音乐学理论与方法》（一）
时间：2007-11-21；地点：E研究院512室
授课教师：曹本冶教授
主讲报告人：文君
Nettl, Bruno. 1983. The Study of Ethnomusicology: Twenty-Nine Issues and Concepts. Urbana: University of Illinois Press. Chapters 7 “I...
Comment on Huron and Veltman: Does a Cognitive Approach to Mode Make Sense?
analysis medieval chant modality tonality cluster analysis multidimensional scaling methodology
2010/9/26
his commentary examines Huron and Veltman’s article from the
perspective of historical musicology. The following issues are discussed:
• The authors regard modes as conceptual categories of th...
A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System
mode chant tonality cluster analysis multidimensional scaling
2010/9/26
A random sample of 98 Gregorian chants was used to assemble “mode
profiles”—pitch-class distributions for each of eight medieval modes in the manner of
Krumhansl’s and Kessler’s (1982) key profiles....
“Mode versus Ficta”in context
Bent counterpoint ficta Gaffurius harmony Josquin Judd ode Obrecht recta Tinctoris
2010/4/21
Following my discussion of an extract from Josquin's Ave Maria,{1} Margaret Bent's subsequent Commentary{2} reiterated a criticism originally made by Cristle Collins Judd {3} that my linking of the tw...