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Commentary on “Asynchronous Preparation of Tonally Fused Intervals in Polyphonic Music” by David Huron
auditory stream segregation auditory grouping onset synchrony
2010/9/26
In his most recent contribution to an important and well-framed series of papers on auditory grouping and the perception of polyphonic music, David Huron seeks further evidence for his working hypothe...
Commentary on David Huron’s “On the Role of Embellishment Tones in the Perceptual Segregation of Concurrent Musical Parts”
Bach chorales embellishment tones perceptual segregation
2010/9/26
In his article ‘On the Role of Embellishment Tones in the Perceptual
Segregation of Concurrent Musical Parts’, David Huron (2007) takes four metrics
known in the psychological literature to affect p...
Commentary on “The Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages” by David Huron, Daryl Kinney, and Kristin Precoda
expressive size symbolism motivation-structural rules pitch loudness
2010/9/26
Increasingly, the Arts and Humanities and Science fields are finding
common ground, as illustrated in Huron et al.’s fine paper. My commentary discusses
the origin of the idea that pitch and motivat...
A Review of the Humdrum Toolkit: UNIX Tools for Musical Research, created by David Huron
computer applications database software tools humdrum David Huron
2010/4/21
David Huron's Humdrum Toolkit is a set of software tools created for computer-assisted musical research. This review describes and evaluates the Toolkit and the music representation schemes that suppo...