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The Philosophy of Martin Scorsese Lexington:University Press of Kentucky
Martin Scorsese Lexington University Press Kentucky
2009/11/25
Philosophy and popular culture have always by definition tended to exclude one another
and so the title of the series published by The University Press of Kentucky, Philosophy of
Popular Culture (an...
The Philosophy of Stanley Kubrick Lexington:The University Press of Kentucky
Stanley Kubrick Lexington University Press Kentucky
2009/11/25
Stanley Kubrick’s film oeuvre is widely admired for its emotional and intellectual power, as
well as its formal beauty and coherence, confirming the director’s status as an auteur with a
specific wo...
Michael Temple (2006) Jean Vigo (French Film Directors) Manchester University Press:Manchester
Michael Temple Jean Vigo Manchester University Press
2009/11/25
Michael Temple’s Jean Vigo provides a well-documented reference to the life and work of the
young French director who died in the prime of his talent. The book starts with a short biography which ena...
Marijke De Valck (2007) Film Festivals:From European Geopolitics to Global Cinephilia Amsterdam:Amsterdam University Press
Film Festivals European Geopolitics Global Cinephilia Amsterdam Amsterdam University Press
2009/11/24
Film Festivals are a vital element of the film business and are central to the international
debate on film production and distribution. Too often when talking about films we omit
the place where ev...
Forgetting Lot’s Wife:On Destructive Spectatorship Fordham University Press:New York
Lot’s Wife Destructive Spectatorship Fordham University Press New York
2009/11/24
A pious man plays host to visiting angels. They have come to find ten righteous men who
could spare a morally bankrupt city from the wrath of God. After an unsuccessful search,
the city is slated fo...
Brian De Palma’s Cinematic Education of the Senses.Stanford University Press:Palo Alto,CA
Palma’s Cinematic Education Stanford University Press Palo Alto
2009/11/24
In Becoming Visionary Eyal Peretz has produced a highly focused attempt to link
philosophy and film. The focus is upon a production process that for Peretz is presented in
film and traditionally neg...
Binary Oppositions in Arnold Whittall's Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis
Whittall analysis criticism aesthetics Modernism Schoenberg Moses
2010/3/29
Arnold Whittall's Exploring Twentieth-Century Music (Cambridge, 2003) posits a set of binary oppositions (Tradition-Innovation, Apollo-Dionysus) as foundational for twentieth-century compositional tho...
Review of Glenn Watkins, Pyramids at the Louvre, Harvard University Press, 1994
collage cubism modernism orientalism postmodernism primitivism twentieth-century music
2010/4/22
[1] As this century draws to a close, historians in every field attempt to inscribe a narrative path on the panoply of twentieth-century events, a path leading from the rapidly receding horizon of the...
Review of Peter Kivy's The Fine Art of Repetition (Cambridge University Press, 1993)
Formalism antihistoricism 18th c. musical aesthetics Platonism authentic performance emotion and expression in music
2010/4/22
[1] Peter Kivy is the leading authority in the philosophy of music as practiced in the Anglo-American or "non-speculative" tradition in philosophy. He is, to a large extent, responsible for rejuvenati...